This world is so wide that, even if you flitted around and around it, you would never reach the end of it. This blog is a collage of more or less literary and humorous, outlandish or sometimes even serious glimpses at this great wide world.
Note Inspired by a similarly titled poem by Kathryn Bevis, which has lots of detailed content, I came across at the Poetry Society UK site. I decided to not only question the title of the poem but also the content, thus taking it up one notch.
Note I really did read that today somewhere on the oh so social media. “Anything and everything” would include drab streets, right? Like the Roman street with its crumbling brutalist architecture eternalized in the photo above.
PS: Anyone interested in drab street photos like the one shown here please get in touch!
Note Razor edge of time reporting, glimpse of a time span that lasted for a while. I’d actually planned to write this in my head before I even got home. I knew that the cat would be sleeping. He does that about 16 hours out of 24.
Notes I’ve been known to participate in some photography challenges where you’re invited to post a photo to match a given topic. This made me realize that I have nothing suitable for at least two topics. The above smoky picture is actually a fake – the interior of this room looks smoky but in reality the smoke was the result of a dirty window through which I shot the photo. As to spider web photos, I have nothing to show. Must try to look for webs!
Note A variation of Richard Brautigan’s poem of the same title, in which he says “There is something wrong with this poem. Can you find it?” (Quoted from Brautigan’s collection Rommel Drives on Deep into Egypt from 1970.)
Note The reported truth and nothing but. I could have added “except write a pedestrian poem about it”, but then it would have been more than 6 lines. And we wouldn't want that, would we?
Gianmaria Testa (right) in concert with Paolo Fresu. Ludwigsburg castle, Germany, June 2011. Photo by Johannes Beilharz.
Aerial View
Of this aerial view Almost nothing remains The ghost of the steeple No longer smiles Gliding over the ancient hills Again and again You meet nothing But worn-out straw hats The glasses are empty But no one notices The glasses are empty And no one notices. And you What will you do tomorrow And you What will you do tomorrow
Of this season gone I won't forget anything Unless September insists On erasing it Talking again and again About what has just been I unwillingly wipe the salt Off my hands The glasses were full And someone emptied them The glasses were full But someone emptied them Now I know What you'll do tomorrow Now I know What you'll do tomorrow
The following video shows Gianmaria Test performing the song at another venue in the same area of Germany (Baden-Württemberg), the Franz K. in Reutlingen (May 4, 2010).
Note Once again: the truth and nothing but. In today's fast-paced always-on environment, going to the toilet for a minute or two can make the difference between getting and losing out on a job. And I didn’t even go golfing! (Reference to Gary Kildall of Digital Research, developer of CP/M, an early PC-age rival of MS-DOS. Supposedly he turned down a meeting with IBM because he preferred to go golfing. The lucky winner was Bill Gates of Microsoft, who did have time for IBM and sold them on his operating system. This is the story as I remember hearing it in the 1980s - veracity not guaranteed.)
Note So I’ve come back to a form (fibonacci) I used to practice a lot for a while and then didn’t for a long time. Nothing but the truth in this one – the waters of the sky are coming down on Rome in varying degrees of mercilessness, and it’s so dark you can hardly call it day.
Note Pretty much that kind of weather here in Rome this morning of October 11, 2021. Inspired by a poem in Der Struwwelpeter (1876) by Heinrich Hoffmann, a book of more or less moral tales everyone in Germany knows. The illustration is by the author (Hoffmann) himself.
Notes First of all – why should this truth be sad? Only for myself, I must admit. Others may concur, disagree or simply don’t give a flying fog. It’s a free world, peotry included. (Think I just created a word! Peotry ... like poetry mixed with peyote.) Anyway, all rubbish. What brought about this rubbish? I was looking for enjoyable poetry in the famous Norton Anthology of Modern Poetry (famous because – at least in my days at the university – it was a standard book to carry around for English and Creative Writing courses). I started at the back of the hefty volume, thinking those poems had to be by the most modern and least stuffy poets. I believe in brevity in general, so I was really looking for something short, but nothing doing! Even James Tate’s “The Blue Booby”, which starts at the bottom of page 1387 with 3 promising ultra-short lines but rolls on for most of the next page, ending with “like the eyes of a mild savior” – a line I actually like. It really packs a punch. If only there weren’t so much in between. Well, pardon me, it’s the old grouch speaking again, having accrued more than 10 lines of negatively ranty prose by now. I know for a fact that long poems exist. I even know one person personally who wrote a long poem (thankfully it was still in the making when I knew her) and said she loved long poems! The sad truth actually is that people who like poems (period!) are a very, very tiny minority.
Note Had nothing specific to say (seems to happen often ... I’m speechless in view of what’s happening in the world) but nonetheless felt the need to assert my cyber presence. Drastic change is needed – but who’s going to do it? 100,000 poets alone can’t.