The miracle dichotomy

"What would you rather have as a miracle –
a world free of strife and war
or personal happiness?" Suzanna's guru asked

She brought the question home to her non-believer boyfriend

"Let me see any kind of miracle
before I decide on that one,"
said Jeff the sceptic

"That's typical you," she yowled,
"all you try and do is take the wind out of my sails."

"No wind, no sails that I see,"
said laconic Jeff

"Why have I been putting up with you

for so many years, Jeff? A man
with such a flat view of the world?"

"That is a miracle, I agree,"
said grinning Jeff

– Leonard Blumfeld (© 2012)

The topic at One Single Impression was miracle.

Sweet and Sour Grapes

You don't have to be a cook to tell whether something tastes good or bad.

– Leonard "Sweet Grapes" Blumfeld

Written in response to Sour Grapes at One Single Impression.

All too often a critical statement or attitude is discredited as "sour grapes," with a comment like "Oh come on, you're just envious because you can't do better." But, as I say above, it's possible to tell (and say) whether the grapes are sour or sweet without being a grape specialist.

The Shiva machine

I dropped the change in the slot.
Nothing happened,
nothing was returned.
Hey, that's no way to change,
I told myself.
Change is not loss.
Or is it?
Is it the beginning of change?

– Leonard "Shivji" Blumfeld (© 2012)

Posted for One Single Impression and Change.

Seeking refuge

Mi verso es un ciervo herido
Que busca en el monte amparo.
– José Martí

"So what's a wounded fawn doing in the forest, quoting poetry?"
I had to laugh at my friend Ramesh's deadpan understanding of things.
"The fawn's not quoting poetry. The fawn is wounded and seeking refuge in the forest."
"That sounds realistic enough. So where's the poetry connection?"
"José Martí says that his verse is a wounded fawn –"
"– seeking refuge in the forest. I get that all right, I'm not that dumb. I just fail to see the point."
"Come on, Ramesh, you just refuse to see it."
"Oh, I get his drift all right. Poetry is frail and all a-tremble in the forest, shaking with fear to be read by critical and analytical souls like me."
What could I say? I'd never be able to convince this agnostic, this nonbeliever in the frailty of poetry.
So I quoted more Spanish poetry at him:

La poesía es un arma cargada de futuro. *

That made him chuckle.
"This one I like a lot better," he said, "but that weapon charged with future is probably what wounded that frail fawn in the forest."

You just can't win against Ramesh in matters of poetry. Or Spanish language poetry, to be more precise.

– Leonard "Seeking Refuge in Poetry" Blumfeld (© 2011)

* Title of a poem by Gabriel Celaya.

Written in response to 'seeking' at One Single Impression.

Notes
The first quote may be familiar from the song Guantanamera, which is based on the poem by Cuban poet and national hero José Martí.
While the above dialog is entirely fictitious, my friend Ramesh does exist and, with his typical distrust of things not traceable by science, might have responded in this very manner.

What else can fail

For S.

Got in the shower, no hot water.
The sky clouded over, I was in my office,
switched on the light. No light.
Decided I needed coffee,
but the machine did not work.
Went down to the garden in back –
all weeds. When had they sprung up?
A drive would cure this blues
for sure, I thought. But where
had I parked the car?
Now what else could go wrong?
It was then I realized that I was
writing this whatchamacallit, this
poem, and on the computer no less.
At least I was working
to some extent, and my fingers were,
and my electronic servant was.
And then a message arrived
from Rome and told me that my
lovely love was with me. So there!

– Leonard “Sunday On Strike” Blumfeld (© 2011)

Posted for One Single Impression and ‘weed.’

Heart sways

For S.

The wind was gusty today,
on this June Sunday in southern Germany.
In between showers the temperature rose
to jacket comfortable.
All the while I was thinking of you,
how down south in Italy, where you live,
the sun is out and it’s warm and dry.
Blue skies, no wind.
You make my heart sway.

– Leonard “Rabindranath” Blumfeld (© 2011)

Written for One Single Impression and Wind.

Notes
Thank you, Harshad, for giving me a title and more for inspiration.
Whenever I think of (or write) poetry about elements of Nature, such as the weather, I think of Rabindranath Tagore and some of the poems in which he masterfully weaves together such elements (sun, wind, rain, drought) and emotions/human relationships.
The above poem, for this reason, might be called “Rabindranathesque” – transferring elements of R. Tagore to different settings, a different time.

Rambling on my mind

I've
got
rambling
on my mind

I've
got
rambling
on my mind

Please
be
so kind

Untangle
my mind

Let
me
ramble

and
leave
this office
life behind

– Leonard “Office Rambler” Blumfeld (© 2011)

In variation of the Robert Johnson blues for One Single Impression and Rambling, performed here by Eric Clapton and Steve Winwood:

So how are things with Juanita

Let’s not talk about love.
– Heather Nova

Should I tell you?
Oh but the risks of that!

I’m afraid I could be overbearing,
heavy-handed,

speak my heart to soon,
clumsily and politically incorrect,

pushing you away
rather than getting closer.

What is the current
universally accepted way

to go about love?
If it’s right, it’ll grow

by itself, I’ve been told.
But also this:

You’ve got to work on it,
and it takes two to tango.

Should I tell you?
Oh but the risks of that!

– Leonard “In and Out of Love” Blumfeld (© 2011)

Posted for One Single Impression and the all-important topic of Love.

Complete lyrics of Let's not talk about love by Heather Nova.

My secret place

I'm going to take you to
My special place
It's a place that you
Like no one else I know
Might appreciate
I don't go there with anyone – but
You're a special case
For my special place
For my secret place

People talk to tell you something
Or to take up space
Guess I'm only talking
To be talking to
Your pretty face
I don't talk much to anyone – but
You're a special case
For my special place
My secret place

I was born and raised
In New York City
I'm just getting used to Colorado –
Oh street bravado
Carry me
Why did you bring me to
A place so wild and pretty?
Are there pigeons in this park –
Muggers after dark –
In these golden trees –
In the secret place?

I'm going to take you to
My special place
It's a place no amount of hurt and anger
Can deface
I put things back together there
It all falls right in place –
In my special space
My special place

Once I saw a film
In New York City
That was shot in Colorado –
Girl meets desperado
In the trembling mountain trees
Out of all of the girls that you see
In bleachers and cafe windows
Sitting – flirting with someone
Looking to have some fun
Why did you pick me?
For the secret place

Written by Joni Mitchell (this song is on Chalk Mark in a Rain Storm, released in 1988)


Posted here for One Single Impression and Place.

This song came to my mind immediately when I read the prompt and seems like such a perfect contribution that I did not even try to come up with something of my own.

Unfortunately, no Youtube video of the song is available for embedding here.

My lengthy friendship with Maud

“Often I don’t even want reciprocation,”
Maud said with that contrite and at the same time
capricious look around her lips,
“because I don’t like the things I receive.”

“You are difficult indeed, and quite often
you make sure the entire world knows it.”
To my surprise, she did not take this
the wrong way but actually chuckled.

“What if I kissed you now,” I said with a verve
I was surprised at myself, “and I don’t mean
a peck on the cheek. I mean Hollywood,
smack on those beautiful lips of yours,

and I want to feel your tongue reciprocate.”
Her head moved to an angle, but not exactly
out of reach, and in her face appeared
a mixture of amusement and apprehension.

“You really mean that?”
I did what I’d meant.
Hours later...
“You reciprocated quite nicely, Maud.

But did you want to?”
Amused, contrite, capricious Maud.
Sweeter to kiss – and other things –
than I’d ever, ever thought.

– Leonard “Some things are better done” Blumfeld (© 2011)

Written for One Single Impression and Reciprocate

Echoes

For her (who else?)

Past knocks on door, perturbing –
all a bad dream?

It was like this a long time ago –
an endless, semi-mute coexistence,

ups and downs brought on
by nothing but my imagination

(which is fruitful, very
fruitful, but hesitant to

come to the surface).
“You have a rich interior

life,” my therapist told me,
“it’s just that nobody

knows about it.”
She also told me that anecdote

about walking along
and stepping into a pothole.

That doing it once is ok,
even repeating it once

can be excused. But three
times means you’re

a bad learner. I am.
I can’t seem to wait

to set up the next pothole
for myself to step into.

– Leonard “He Who Suspects the Truth” Blumfeld (© 2010)

Written for One Single Impression and Echoes.

Soledad en …

Some­‑
times
there is
nothing as
lonely as a crowd
milling merrily around you.

– Leonard "Master of Truisms" Blumfeld (© 2010)

Written for One Single Impression and Lonely. The title, added retroactively, alludes to García Lorca's Poemas de la soledad en Columbia University from Poeta en Nueva York (1930).

Try this

“Try this!”

Sunita was my seductress.
With glee she’d ask me to close my eyes and open my mouth. Then she’d insert something and tell me to chomp down.

I got to taste hot green chilies that way, hot mango pickle and burnt brinjal (she was Indian, and her family ate Indian all the time).

All great stuff for sure, but challenging to tongue and taste buds.
I’d be in pain, she’d dance around me, laughing her head off.

Things took a different turn one day, when we were about sixteen.
She warned me not to bite down hard this time, or it would cost me dear.

With eyes closed, I felt the heat of her face very near me and then tasted no vegetable, no chutney, no pickle, no slimy substance, but something alive and soft and warm – the tip of her tongue.

I opened my eyes and stared into hers, so close, so intense. We stayed that way for minutes, but they seemed like a small eternity.

...

She’s off to college in California, where she got a scholarship because she’s brilliant. A few days ago I received a package containing a DVD – an Indian movie called “Ugly Aur Pagli*” – and a card with these words:

WATCH THIS! Your Pagli.
PS: Come see me soon. You still have lots of things to try.

– Leonard “In Teen Mode” Blumfeld (© 2010)

Posted for One Single Impression and Try.

* “Aur Pagli” = “and Crazy” in Hindi. “Pagli” rhymes with “Ugly.”

Information about the 2008 movie starring Mallika Sherawat (as Kuhu / Pagli) and Ranvir Shorey (as Kabir / Ugly) at IMDB:

This Indian film is a remake of the South Korean film My Sassy Girl (2001). Both are a lot of fun. Much more so, to my taste, than the American version: My Sassy Girl (2008), starring Elisha Cuthbert and Jesse Bradford.

2046

For her, as usual

“You say your life is so empty these days, so lacking in purpose and meaning. But aren’t you shortselling your friends, the hours you spend with them, the hours they spend with you, the things you do together, the food and drinks you share? Aren’t you just a bit too much into feeling sorry for yourself and for the vicarious time you spend with the one person who does not wish to spend time with you?”

– Leonard Blumfeld (© 2010)

Written for One Single Impression and Empty.

Note
The title is derived from the film 2046 by Wong Kar Wai (2004), which portrays a middle-aged man whose life gradually becomes more and more meaningless as he drifts from one party to the next, from one short-lived affair to the next.

 Scene from 2046, with Ziyi Zhang and Tony Leung

Some time, a while ago

For her

Some time, a while ago,
you went out the door
with that twist of waist
and derrière so all your own
that I knew I wanted
to see that back of yours
and you rise from my
bed every single
morning for the rest
of my days – I knew it
with the certainty
of a kick by an angel

– Leonard “Hangs On” Blumfeld

Posted for One Single Impression and ‘Angel’.

Roads and roads and roads

Roads
and
roads and
roads I've been
on lately - black and
grey and long. Roads and roads and roads.

- Leonard "On the Road" Blumfeld

Written for One Single Impression and 'Roads' from on the road. I've been traveling in Utah and Colorado for the past two weeks. It's been a wonderful trip, and the roads, even though they were indeed black and grey and long, were great and took us through amazing landscapes.

Trembling night

The tenuous bamboo bridge spanning the double tide of the Malini river has been carried away, and now my beauteous one is cut off from me upon an island. The rain continues. Each night I climb up the hill from which I can see the trembling night of Sarmicha's house. It shines in the wet darkness like a glance through tears.

– Amaru

Not much is known about Amaru, an Indian poet who lived in the 7th or 8th century and wrote in Sanskrit – mostly about erotic love, including passion, estrangement, longing, rapprochement, joy and sorrow.

Posted for One Single Impression and Trembling.

A reign of smiles

Shrink calmly like a dusty girl.
Flowers stalk!
Walk loudly like a cold flower.
Action is an old door.

– Leonard “All Smiles” Blumfeld (© 2010)

Written and posted for One Single Impression (Reign).

Oh my, these are times of personal crisis! What better than dada poetry to carry me through.

One night in Addis Abeba

For her

Had we listened
to the voice within us,
we would have pursued
careers in diplomacy.

I would have studied
African languages,
as once intended,
majoring in Ethiopian.

You would have gone
to Moscow, as your father
had planned for you,
to ultimately join the corps.

We would have met
at a party hosted by the
Kenian embassy, both
unattached, and shared

a taxi when leaving.
We had the driver
take us to Sebastian’s,
where we had cocktails,

looked into each
other’s eyes, eventually
kissing across the chasm
between the communist

and capitalist worlds,
allowing the voice witin us
to speak and outline brightly
our future.

That did not happen, though.
All we have now is
an obscured variant, with the
feeling of potential lost

and but a skeleton of what
the scheme of fate and time
might have had in store.
We both muted that voice.

– Leonard “Had We But” Blumfeld (© 2010)

Written for The thing you didn’t choose, napowrimo #11 and Vicarious at One Single Impression.

Strawberries run deep

Or was it raspberries?
That was the title of a book of poems
I bought somewhere in rural Arkansas
in 1978, where three friends and I
had come for boating on the
Buffalo River.

Written by one Edsel ... (not Ford,
I think, definitely not Ford). And
now I can’t find it on my shelves
to help me remember why
those berries, straw or rasp,
run deep.

– Leonard “Does Run Deep” Blumfeld (© 2010)

A poem to illustrate the strangeness of (my) memory and to go with “running” at One Single Impression.

Notes
As I found out with the help of Google, the poet's name is Edsel Ford indeed (there is a Wikipedia article about him), and the title of the collection is “Raspberries Run Deep” (published in 1975). I still haven't located the book, though, so the deep-running raspberries must remain a mystery for now.