Musical affliction

Has it ever happened to you that a song implanted itself in your inner ear, seemingly out of nowhere, and would stay with you for days?

Hank Snow's One More Ride has been with me off and on for several days now. Where did it come from? No source I'm aware of. It's unlikely that I heard it somewhere here in Italy. It certainly would not be played in any Roman store or elevator.

I remember recording this song on my reel-to-reel tape recorder from the country music hour at SWF 3 around 1973 and must have listened to it a lot back then. I loved country music at the time and hardly ever missed that radio show on Saturday afternoon.

The clickety-clack of Hank's railroad track has been calling me much too long. What to do? I have no button to switch it off.

– Leonard Blumfeld, musically afflicted

Roja

Watched Mani Ratnam's Roja from 1992 again after a long time. Enjoyed it immensely (despite its obvious flaws). Fabulous music by A. R. Rahman.

The thanks haiku

For S.

Thank you India,
thank you Sadhana! Thanks!
You’ve been good to me.

– Leonard Blumfeld (© 2013)

It's the thanksgiving time of the year, and I'm joining in along with Haiku Heights.

I must admit that the first line was inspired by Alanis Morisette's song Thank U, so I'm also giving thanks to that song:

Writing in Montreux

The Jethro Tull said hi,
bonjour, grüezi* in Montreux
and proceeded to play.
And I’ve almost finished my
seven lines in Montreux,
looking out on the lake,
listening from far away.

– Leonard Blumfeld (© 2013)

*Swiss German greeting (more or less like "good day!")


The challenge was to write seven lines in a place where one has never written before:

One poem.

7 lines in length. 

Make it perfect.

Poets United

The myth haiku

Myth is alive, myth
is afoot, myth never died.
Naked myth does thrive.

– Leonard Blumfeld (© 2013)

Instigated by Haiku Heights and myth, with a huge dose of inspiration from the Leonard Cohen/Buffy Sainte-Marie song God is Alive, Magic is Afoot.

Notes
Myth is rampant in this oh so scientific age. For example, the myth that we should get a new cell phone at least once a year in order to always stay connected in the latest ways, to keep up with the Joneses and to fill the pockets of Tim Cook and other CEOs. Or the myth that freedom can coexist with the NSA spying on everyone and everything in the whole wide world. Etc.

The long lost river haiku

The long river flows –
song heard on radio long
ago. Who sings it?

– Leonard Blumfeld (© 2013)

Evoked by Haiku Heights and river.

Note
Completely true once again – nothing invented. Heard this song on the radio about 40 years ago. Never have heard it again. But have never forgotten it. Or should I say: never forgotten the memory of it. Memory works in the strangest ways.

Pol(s)ka

The unwritten Warsaw
ballet remains unwritten
until return.

– Leonard Blumfeld (© 2013)

A contribution to Haiku Heights and ballet.

Notes
I'd promised myself that I would write one poem a day during my recent trip to Warsaw, Poland, and failed miserably. My diary contains entries from just two days out of four, and these are just notes on what happened or what I saw, nothing that could be called a poem. Of course, there are many valid excuses: lack of time alone, tiredness after lengthy excursions in Warsaw and other places in Poland, etc. You can't always write what you want, to quote the Rolling Stones.
However, I liked Poland so much that I'm ready to return any time, so that there is a chance that the Warsaw ballet will be written some day after all...

Wake-Up Song

Most mornings I wake up with a song in my mind. I've been trying to determine what causes a particular song to be it on a particular day. Without any success so far.

This morning's song, for example, was a chanson by Serge Reggiani, the French singer and actor (1922-2004). I could not remember the title of the song, so I looked up the album on the Internet just now – it was simply called "Serge Reggiani" and released by Polydor in 1973. Reading the track list had me confused – had the song playing in my head been "Le vieux couple" or "Hôtel des voyageurs" or even "Contre vents et marées"? I could recall all of them in memory, even though I haven't listened to the album in years.

Confusion resolved: it was "Le vieux couple" after all – listened to it on Youtube (see link below).

So much on wake-up songs for now. Will probably explore this topic again soon.

Sweet Jane & Not So Sweet Martha Lorraine

When the sweet meets the not so sweet,
some drama is to be expected.
– Beaudraux Liam

But was Jane
all that sweet –
coming
from Lou Reed?

And Martha L.,
created by Country Joe –
did he know her well
to have an opinion so low?

– Leonard Blumfeld (© 2011)

Nonsensical musings about sweet & not so sweet, making use of my vast but diffuse memory of rock’n roll. For Sunday Scribblings and ‘sweet.’

For those unfamiliar with the songs alluded to:

The Velvet Underground playing Sweet Jane



And Country Joe and the Fish playing Not So Sweet Martha Lorraine

Rambling on my mind

I've
got
rambling
on my mind

I've
got
rambling
on my mind

Please
be
so kind

Untangle
my mind

Let
me
ramble

and
leave
this office
life behind

– Leonard “Office Rambler” Blumfeld (© 2011)

In variation of the Robert Johnson blues for One Single Impression and Rambling, performed here by Eric Clapton and Steve Winwood:

No surrender

Today's word at Sunday Scribblings is 'Surrender' – "Is surrender about letting go or giving up?" Before I could get to any thoughts on the topic, Bruce Springsteen's powerful song popped up in my mind, so here it is ... a contribution by far better than any I could have come up with today. His answer to the question is clear: surrender is about giving up, and no surrender means not giving up.

Well, we bursted out of class
Had to get away from those fools
We learned more from a 3-minute record, baby
Than we ever learned in school
Tonight I hear the neighborhood drummer sound
I can feel my heart begin to pound
You say you're tired and you just want to close your eyes
And follow your dreams down

Well, we made a promise we swore we'd always remember
No retreat, baby, no surrender
Like soldiers in the winter's night
With a vow to defend
No retreat, baby, no surrender

Well, now young faces grow sad and old
And hearts of fire grow cold
We swore blood brothers against the wind
Now I'm ready to grow young again
And hear your sister's voice calling us home
Across the open yards
Well maybe we'll cut someplace of own
With these drums and these guitars

'Cause we made a promise we swore we'd always remember
No retreat, baby, no surrender
Blood brothers in the stormy night
With a vow to defend
No retreat, baby, no surrender

Now on the street tonight the lights grow dim
The walls of my room are closing in
There's a war outside still raging
You say it ain't ours anymore to win
I want to sleep beneath
Peaceful skies in my lover's bed
With a wide open country in my eyes
And these romantic dreams in my head

Once we made a promise we swore we'd always remember
No retreat, baby, no surrender
Blood brothers in a stormy night
With a vow to defend
No retreat, baby, no surrender

– Bruce Springsteen

(From Born in the U.S.A., released 1984)

Let’s not talk about love

I don't know if I love you
Or if it's all in my head
I don't know if I love you
Though I know it's what I said

Cuz love is something I don't understand
Can't explain, I can't hold in my hand
But I'll stay here tonight
And I'll keep the flame alight
But let's not talk about love

I don't know if I love you
Though I feel some pain
I don't know if I love you
Or if I'm playing the game

Cuz love is something I don't understand
Can't explain, I can't hold in my hand
But I'll stay here tonight
And I'll make you feel alright
But let's not talk about love

– Heather Nova

From the album “Storm”, released in 2003

Tabu and Sanjay Suri in Filhaal

Stumbled across this song video in Youtube - must watch Filhaal again!

My secret place

I'm going to take you to
My special place
It's a place that you
Like no one else I know
Might appreciate
I don't go there with anyone – but
You're a special case
For my special place
For my secret place

People talk to tell you something
Or to take up space
Guess I'm only talking
To be talking to
Your pretty face
I don't talk much to anyone – but
You're a special case
For my special place
My secret place

I was born and raised
In New York City
I'm just getting used to Colorado –
Oh street bravado
Carry me
Why did you bring me to
A place so wild and pretty?
Are there pigeons in this park –
Muggers after dark –
In these golden trees –
In the secret place?

I'm going to take you to
My special place
It's a place no amount of hurt and anger
Can deface
I put things back together there
It all falls right in place –
In my special space
My special place

Once I saw a film
In New York City
That was shot in Colorado –
Girl meets desperado
In the trembling mountain trees
Out of all of the girls that you see
In bleachers and cafe windows
Sitting – flirting with someone
Looking to have some fun
Why did you pick me?
For the secret place

Written by Joni Mitchell (this song is on Chalk Mark in a Rain Storm, released in 1988)


Posted here for One Single Impression and Place.

This song came to my mind immediately when I read the prompt and seems like such a perfect contribution that I did not even try to come up with something of my own.

Unfortunately, no Youtube video of the song is available for embedding here.

Raga Alhaiya Bilaval Haiku

Ponderous, elegiac,

swaying, swaying, sawing down

to the very heart.

– Leonard "Sarangi" Blumfeld

Written while listening to Ram Narayan play this raga on the sarangi.

The late phone call fib

For her, as usual

Late
at
night my
love did ex-
hibit the friendli-
ness of a steel brush when I called.

– Len "Will He Ever Learn" Blumfeld (© 2010)

Reality notes
What is it with her? You call and inevitably get the distinct frosty feeling she'd like nothing better than to shake you off the soonest possible. And it's not like I call at uncivil times, either.
But perhaps I'm only ultraresistant to hints that are as clear as a totem pole.
Started this one with the first words of a song by Joan Armatrading that is among my all-time favorites:

I need you

Late
At night
I feel so lonely
Here's a body next to mine but I'm feeling cold

And baby in the morning light
When I look in some stranger's eyes
It's then I know that the need in me
Is really for your paradise

I dance
I sing
But there's something missing
Every night a different name to call

But you know when I hold 'em tight
I always give the game away
I try so hard to make it right
But it always ends up the same

You know I need you

I need you
Like I needed you
The first time we kissed
I need you
And I need you now
And I can't resist
Standing by your door in case you leave

I miss you mostly in the night
And I miss you through the day
I hate myself for hurting you
Yes I know I drove you clean away

You know I need you
But now I need you

(Written by Joan Armatrading, from me myself I, released in 1980)

Like sunlight dancing on your skin

Live performance by Emmylou Harris and Rodney Crowell

'Til I Can Gain Control Again

Just like the sun over the mountaintop
You know I'll always come again
You know I love to spend my morningtime
Like sunlight dancing on your skin
I've never gone so wrong
As for telling lies to you
What you see is what I've been
There is nothing I could hide from you
You see me better than I can
Out on the road that lies before me now
There are some turns where I will spin
I only hope that you can hold me now
'Til I can gain control again
And like a lighthouse
you must stand alone
Landmark the sailor's journey's end
No matter what sea
I've been sailing on
I'll always pass this way again
Out on the road that lies before me now
There are some turns where I will spin
I only hope that you can hold me now
Til I can gain control again

(Lyrics and music by Rodney Crowell)

Just like a lighthouse you stand before me

For her

I

The brief instant the beacon hits you right in the eye,
that flash of time remains engraved

I remember a ridiculous instant in the tea kitchen,
with you standing with your back to the paper towel dispenser,
when you smiled at me and I was close to your face,
a flawed face with not the best of skin,
thinking, “Could I possibly love her?”

And now sometimes I stand next to you
and feel that our bodies are one without touching

I look at your face and
every flaw is a mosaic piece of certainty


II

But if I asked you if you felt the same,
you’d deny it with the coldest Asian face on earth

I know you would

You’d switch the beacon off, I’d wander off

You’d let me go until you changed your mind,
fearful suddenly of losing whatever I am,
turning the light on to renew the draw


III

You know I’ll come around again

But sometimes I see doubt come in
(I relish those moments, I admit it)

I see the beacon rotate in the dark,
I know it will come my way

In another instant, when it hits me in the eye,
I’ll know exactly what I feel

– Leonard Blumfeld (© 2010)

Written for napowrimo #19, light bulb moments and napowrimo #21, perfectly flawed.

Notes
Thinking about what to write for this prompt, the word lighthouse came to my mind, and then a shred from a song I later identified as 'Til I Gain Control Again by Rodney Crowell.

To me, parts of the poem have a song-like quality, which may well be due to its source of inspiration.

The song was covered by many singers, including Emmylou Harris and Willie Nelson. Lyrics and a live performance: Like sunlight dancing on your skin.

Going to Paris

I'm about to leave for Paris by TGV to spend the weekend there with good friends and to experience Jim Hall in concert on Sunday.

I'm not taking a computer along, so chances are I will not be able to participate in the next 3 napowrimo challenges.

Friday

For M.

Even on Friday
the fragrance
of your perfume
from Wednesday night
kept drifting up
from my coat
when I moved
my head or arms
in some specific way

In the car
on the way to Stuttgart,
in the concert
with the African music
by Isak Roux

Through the air forest
of the landscape rushing by

And in the silence
lingering between the notes
from piano, marimba,
cello, flute and woodwinds

you were –
off and on –
right there
in me and around me

– Leonard Blumfeld (© 2010)

This one was originally written in German years ago.

Rendered in English and brought to napowrimo #16 because the prompt ("What’s that smell?") made me remember it. It was originally written on a Friday (hence the title) and was now translated on a Friday. That is definitely beyond coincidence :)

Isak Roux is a South-African composer and pianist who lives in Stuttgart, Germany.