Throwing sand into the wind

She went to the sandy beach to throw sand into the wind.
She threw sand.
She threw more sand.
She kept throwing sand.
Into the wind, which was sometimes stronger
and sometimes milder
and sometimes blew the sand into her face.

"Why are you doing this?" a voice said.
"It's a statement."
"What kind of a statement?"
"It's a concept."
"What kind of a concept?"
"It's art."
"But there's no-one around to watch it."
"That's part of the concept."
"I see."
"Plus there's always the universe and eternity."

– Leonard Blumfeld ((c) 2015)

The infinite loop installation haiku

(An exercise in straining the imagination)

In the middle the
fallen lupodopteryx
right in the middle

– Leonard Blumfeld (© 2015)

Notes
How much of a haiku is allowed to be outside the haiku?
There is a lot that’s outside this one.
First of all the inspiration, which was a photo of some big animal that had died in an art installation (well, admittedly I’m sure it had died before if it had ever lived).
So I placed an equally huge animal in the middle of the haiku and made extra sure that it could be identified as the centerpiece by repeating the middle part.
But now comes the other thing that’s outside the haiku: the building this installation is in. The lupodopteryx is in the center of a central room, which is blocked off for visitors by ropes strung up between the columns supporting the structure. This room is surrounded by a ring-like hallway, from which the lupodopteryx can be seen through the spaces between the columns.
Any gallery or museum dying to house this installation is most welcome to contact me.