Thursday, June 5, 2008

Jivin' in Munich

That's me blurred and jivin' in front of a gigantic art object in Munich last year. Posted for Self at Photo Hunt.

Tuesday, June 3, 2008

Saturday, May 31, 2008

Faute de photo

Faute de photo,
faute d'art
faute de poème
je pose ici
les coleurs seules
pures et simples:
pourpre et orange

– Leonard "Franglais" Blumfeld

Sitting in an Internet cafe in Oxford and not having access to photos, art and (temporarily) poetic inspiration, this posting of the colors "pure and simple" occurred to me for Inspire Me Thursday's Purple and Orange.

Friday, May 30, 2008

Crépuscule du matin obliquely reflected

All night long I fought with memory
It was at the door and staging riots
The old wrecks of old times ...
I'd have to decide what to do with them
Crying, peace, power, lies, hope
It was all there in the sleep
that would not come

– Leonard "Imagist" Blumfeld
(after Amy Lowell)

For One Single Impression's Reflecting.

Saturday, May 17, 2008

Dramatic mountain landscape

Dramatic Mountain Landscape
Gouache and oil crayon on Guardi Artistico paper

Posted for Inspire Me Thursday's Crayon Art theme.

I use this technique quite frequently, starting with light shades of oil crayon, then painting over the crayon with gouache or watercolor. The waxy crayon repels the water-based paint, creating an interesting effect. Thanks to the excellent picture quality of my new reflex camera, not much work on the digital image is needed to obtain colors that are close to the original.

L.B.

Friday, May 16, 2008

The entitled to mope fib

This
morn-
ing is
far from soar –
my soul is flat sprat
on the ground and friendless. Go mope,
I tell myself, now
is the right
time for
sore.
Go.


– Leonard “Downer” Blumfeld (© 2008)

Sunday Scribblings #111 soar/sore for personal treatment.

Thursday, May 15, 2008

In permutation of Gertrude Stein


A rose is not a rose not a rose

– Leonard Blumfeld

Totally Optional Prompts asked for Symbolic Poetry. This is one.

Note added in afterthought
Who knows what exactly Gertrude Stein had in mind with her triple rose ("a rose is a rose is a rose"), one of the most frequent quotes ever. I assume that she wanted to draw attention to the essence of what a rose is.
My permutation wants to emphasize the fact that roses are probably the most meaning-laden flowers ever – highly symbolic objects.