Monday, March 5, 2012

Snowdrops / A. D. Miller


(Warning: This is a more or less polemic blurb without any claim to thoroughness or completeness.)

Finished reading Snowdrops this weekend, a novel about a British lawyer who becomes involved in fraud in his work for an investment bank, and, in private, in a case of apartment fraud as a consequence of falling in love with a mysterious Russian woman.

So what's true about the hype?
'Totally gripping' – more ho-hum than gripping. Took me numerous sessions to read and is certainly not one of the potboilers you cannot put down.
'Disturbing and dazzling' – draws a disturbing picture of Russia and Moscow. Greatly reduced my readiness to ever go there.
'Electrifying ... Leaves you stunned and addicted' – That opinion, pardon my bluntness, is a striking example of pure bullshit. Seems more appropriate to LSD, heroin or some other drug than anything written.

As it says on the back cover, there is some similarity to the writing of Graham Greene, but more along the lines of imitation. Neither the writing itself nor the plot are that good. There is that Greene-like feeling of guilt, but there's so much insistence on building it that it becomes annoying. The confessionality (the story is told as a confession to the hero's fiancée) is also reminiscent of Greene, except that it never comes alive, so to speak, because the person the story is told to remains nondescript, making the whole device seem irrelevant.

Then there's that constant puerile harping about how awful it is to be older than thirty. (I believe a lot of people have successfully moved on even into their forties or fifties.) And the annoying premonition building (along the lines of 'I should have known better then that ...', 'Had I not ...') that seems to come straight out of a fiction writing workshop manual. And then there are all the attempts to humanize inanimate objects with adjectives that mostly didn't do much for me. That's the literary touch, I suppose.

A third plot line – pretty much unrelated to the other two – is about the body of an old man found in a rusty orange Zhiguli (mentioned umpteen times in the course of the novel to make it absolutely clear that it has to have some significance).

You may rest in peace, Graham. This ain't no serious competition for The Third Man or The Quiet American.

– Leonard "Won't Write Reviews" Blumfeld

Thursday, March 1, 2012

Sails in the Sunset

Now if you'd drop that stupid demand to get close to Crinkle Island, I'd be happy to navigate you all to that forsaken part of the beautiful stormy South Seas, my friends.

As to Norah Femme Fatale, however, I'd rather not have her on board because she might try to persuade me after all. And we all know from Italy how that can end.

– Captain Leonard Blumfeld (© 2012)

Written around crinkle, demand and navigate from 3WW.

A blatant derivative of the Costa Concordia disaster.

Tuesday, February 28, 2012

China's Wonderland Turned Horrorland

The Disneyland copy planned outside the gates of Beijing never materialized because the owners of the land asked for more money. All the amusement park has to offer are a few ruins and skeletons of buildings quietly decaying in a barren landscape. Good news for the farmers who used to farm here and were to make space for China's move into the world of Amusotopia. They're coming back.

Tuesday, February 7, 2012

An educational ghazal

Said my teacher, Mrs. McKesson,
"I'm afraid you'll have to learn a lesson.

Had you listened to me from the start,
I would not have to teach you this lesson.

Had you learnt your tables by heart,
you would have understood my lesson.

Had you, as I requested, recited biblical verse,
I'd not be adverse to up your grade for this lesson.

But as it is now, I can only teach you a lesson
and flunk you," said Mrs. McKesson.

– Felix Morgenstern (© 2012)

As requested at Sunday Scribblings for lesson.

Monday, February 6, 2012

Sweet and Sour Grapes

You don't have to be a cook to tell whether something tastes good or bad.
– Leonard "Sweet Grapes" Blumfeld

Written in response to Sour Grapes at One Single Impression.

All too often a critical statement or attitude is discredited as "sour grapes," with a comment like "Oh come on, you're just envious because you can't do better." But, as I say above, it's possible to tell (and say) whether the grapes are sour or sweet without being a grape specialist.

Wednesday, February 1, 2012

Daniyal Mueenuddin / In Other Rooms, Other Wonders

The book of interrelated short stories (centered around Pakistani landowner K. K. Harouni) I'm reading these days. Well-written, mostly a depressing look at the human condition.

Picture taken at Fiumicino Airport in Rome while I was waiting for my flight.

Tuesday, January 10, 2012

Sorrow

Utterly lost
with my head in my hands
and my hands in my head

– Leonard "One for Sorrow" Blumfeld (© 2012)

Written upon seeing this photograph at Poets United:

Sorrow by Dechobek at deviantART

Wednesday, January 4, 2012

The Shiva machine

I dropped the change in the slot.
Nothing happened,
nothing was returned.
Hey, that's no way to change,
I told myself.
Change is not loss.
Or is it?
Is it the beginning of change?

– Leonard "Shivji" Blumfeld (© 2012)

Posted for One Single Impression and Change.

Tuesday, January 3, 2012

Proverbs from the Chinese VII

Do not demolish resolution.
Transform.

– Leonard "Proverbially Yours" Blumfeld

Another puzzler from the infinite well of Chinese wisdom. Since it's so close to the beginning of the new year and its resolutions, the advice appears to be particularly appropriate.

Includes the words demolish, resolution and transform from 3WW.

Red & blue no. 1

For S., who actually said it

Light turned red
out of the blue.

– Leonard Blumfeld